Phillip Muzzall

Sydney, Australia

I am an artist and a digital creative with a background in machinima, video art and band photography. Making pieces between the aesthetics of glitch, analogue forms and digital mixed medias. I’m currently a Production, I/O and Technical Assistant at VANDAL▼ - a production, design and experiential studio in Redfern. I am a recent design post-graduate from the University of New South Wales and hold a Media and Communications bachelors from the University of Wollongong.

Clients include:
Future Classic (AUS), Atlantic Records (US), Majestic Casual Records, Redds Cups, Gatorbeug



Phillip Arthur Muzzall

b. 1997 | Shoalhaven, Australia

University of New South Wales, 2022 - 2023
Graduate Certificate in Design

University of Wollongong, 2016 - 2019
Bachelor of Communication and Media Studies (Digital Media & Communication)

2023 - ‘RUSH (Blush)’ single - Willo, Visualiser (Future Classic Records)
2022 - ‘Desensitised’ single - Miramar, Spotify Canvas animation
2022 - ‘Don’t Fade’ single - Vance Joy, Lyric video collaboration (Atlantic Records & Unified Music Group)
2021 - ‘Go Back Inside’ - TG Kommas, Lyric video collaboration (Atlantic Records)
2021 - ‘Not Good For Me’ single - Miramar artwork & socials
2021 - ‘Hold Me Back’ single - Sampson, Spotify Canvas & social animation
2021  - ‘Smoke Machine’ single - Miramar, Visualiser
2020 - ‘Nothing Good Will Come of This’ EP - Flawed Mangoes, Album Art & Short Film (VFX) collaboration (Majestic Casual Records)
2020 - ‘Closer’ - Sampson, Lyric/Music Video
2019 - Gatorbeug - Photographic social media content for Instagram & YouTube (VICE) 
2017 - REDDS cup / beinthecut | SETTINGS x Virgil Abloh - Photographic
2017 - Easy Life band - Photographic

Exhibitions and Public Pieces
2023 - ‘HUMAN DISTORTION v2’ @ The Loop - Hobart Current, Hobart CBD (Group)
2020 - 'better out than in' AR & Post-Photographic exhibition @ Verb Syndicate, Wollongong (Solo)
2019 - Photographs & Feature in Pulp Zine Issue 1 w/ prints presented at 2019's Yours & Owls Festival 'The Local' stall
2018 - 'In Motion v2' Interactive Installation - exhibited at Pretty Good Gallery 'Gongcrete Christmas' (Group)
2018 - 'In Motion v2' Interactive Installation - exhibited at Strawberry Visions' 'Strawberry Boogie's 3rd Birthday Ball' (Group)
2018 - 'In Motion v2' Interactive Installation - exhibited at the University of Wollongong, UniLife's 'Live Art Week' (Group)
2017 - 'In Motion' Interactive Installation & Interactive Zine release
2016 - 'Daydreaming Vignette' - used in; Wade, S., & Kidd, C. (in prep). ‘The Less You Know: Larger gaps in knowledge induce greater curiosity in human learners’. "Multimedia stimuli in Curiosity Study" for the University of Rochester's Baby Lab in the department of Brain & Cognitive Sciences.
2016 - 'Deviated Section' - finalist (Highly commended and Screened) - ‘Lightup Jervis Bay’ seechange short film prize (Group)
2015 - 'Deviated Section' - exhibited in 'BOW WOW' at the Shoalhaven City Arts Centre & Regional Gallery (Group)
2014 - 'Contrast' & 'Caodaism' - finalist of two and exhibited for 'The Pixel Prize' at the Australian Catholic University, McGlade Gallery, Sydney (Group)

Press and Features
Quadrascopic Cameras: The Failed Third Wave of Photography - Gobe
1 HR IN: Kiama with, Phillip Muzzall - Verb Syndicate
Quadrascopic cameras, 3D renders and QR codes: the bizarre techniques of photographer Phillip Muzzall - Happy Mag

Physical Releases
PAM-002 - ‘doors at 8’ - 2023
Pulp Zine Issue 1 - 2019
BKMR-002 - Frank Zimmer - & the Boys Next Door EP - Cover photograph w/ B2B postcard print - 2019
PAM-001 - 'In Motion' - 2018
3 Spreads in 1st Issue of 'POLYCHROME' Magazine - 2017