Phillip Muzzall

Sydney, Australia


Phillip Muzzall is a multidisciplinary artist working with video, post-photography, and digital mixed media. His practice examines how digital systems attempt to preserve place, memory, and identity, and where these systems begin to fracture. Through glitch aesthetics, compression artefacts, and generative distortion, he treats digital failure not as error but as evidence of erosion, environmental, cultural, and emotional.

Drawing from a background in media and digital arts, Phillip studied at the University of Wollongong and later refined his visual language at UNSW. He is a 2024 graduate of AWARD School. Based in Sydney, he works within VANDAL's creative team across conceptual development, design, and technical production, moving fluidly between gallery spaces and commercial environments.








Contact

philliparthurmuzzall@gmail.com

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I acknowledge the Gadigal people of the Eora Nation,
on whose land I work on. I also acknowledge the Wodi Wodi
people of the Dharawal Nation, the Traditional Custodians of
the land in the Shoalhaven. I pay my respects to Elders past
and present, and acknowledge that sovereignty was never ceded.


©PHILLIPAM2026

Phillip Arthur Muzzall

b. 1997 | Shoalhaven, Australia

AWARD School Sydney, 2024

University of New South Wales, 2022 - 2023
Graduate Certificate in Design

University of Wollongong, 2016 - 2019
Bachelor of Communication and Media Studies (Digital Media & Communication)
Commissions
2023 - ‘RUSH (Blush)’ single - Willo, Visualiser (Future Classic Records)
2022 - ‘Desensitised’ single - Miramar, Spotify Canvas animation
2022 - ‘Don’t Fade’ single - Vance Joy, Lyric video collaboration (Atlantic Records & Unified Music Group)
2021 - ‘Go Back Inside’ - TG Kommas, Lyric video collaboration (Atlantic Records)
2021 - ‘Not Good For Me’ single - Miramar artwork & socials
2021 - ‘Hold Me Back’ single - Sampson, Spotify Canvas & social animation
2021  - ‘Smoke Machine’ single - Miramar, Visualiser
2020 - ‘Nothing Good Will Come of This’ EP - Flawed Mangoes, Album Art & Short Film (VFX) collaboration
(Majestic Casual Records)
2020 - ‘Closer’ - Sampson, Lyric/Music Video
2019 - Gatorbeug - Photographic social media content for Instagram & YouTube (VICE) 
2017 - REDDS cup / beinthecut | SETTINGS x Virgil Abloh - Photographic
2017 - Easy Life band - Photographic

Exhibitions
2025 - ‘AND IF IT ALL FALLS APART, WHAT THEN?’, Northern Beaches Environmental Art Prize (Finalist), Manly Art Gallery and Museum, NSW
2023 - ‘HUMAN DISTORTION V2’, The Loop, Hobart Current, Hobart, TAS
2020 - ‘better out than in’, Verb Syndicate, Wollongong, NSW
2018 - ‘In Motion V2’, Pretty Good Gallery (Gongcrete Christmas)
2018 - ‘In Motion V2’, Strawberry Visions, (Strawberry Boogie’s 3rd Birthday Ball), Wollongong, NSW
2018 - ‘In Motion V2’, University of Wollongong (UniLife Live Art Week), Wollongong, NSW
2015 - ‘Deviated Section’, BOW WOW, Shoalhaven City Arts Centre & Regional Gallery
2014 - ‘Contrast’ & ‘Caodaism’ - The Pixel Prize, McGlade Gallery, Australian Catholic University, Sydney, NSW

Public Art
2025 - ‘AND IF IT ALL FALLS APART, WHAT THEN?’, Double Vision Screen, Woollhara Library, Sydney, NSW
2017 - ‘In Motion’, Interactive Installation and Interactive Zine Release, Wollongong, NSW
2016 - Daydreaming Vignette, Multimedia Stimulus For Wade, S. & Kidd, C., University of Rochester Baby Lab, NY, USA
2016 - ‘Deviated Section’, Finalist (Highly Commended And Screened), Light Up Jervis Bay, Seechange Short Film Prize, Jervis Bay, NSW

Publications
2023 - PAM-002, ‘Doors At 8’
2019 - Pulp Zine Issue 1 - Featured Works and Prints
2018 - PAM-001, ‘In Motion’
2017 - Three Spreads in Polychrome Magazine, Issue 1

Press
Quadrascopic Cameras: The Failed Third Wave of Photography - Gobe
1 HR IN: Kiama with, Phillip Muzzall - Verb Syndicate
Quadrascopic cameras, 3D renders and QR codes: the bizarre techniques of photographer Phillip Muzzall - Happy Mag