Phillip Muzzall

Sydney, Australia

Phillip is a multidisciplinary artist whose work drifts between memory, distortion, and the digital trace. Moving through glitch aesthetics and analogue textures, his practice in video art, machinima, and digital mixed media has recently focused on the fragility of landscapes and the tension between the physical world and its archival echoes.

Drawing from a background in media and digital arts, Phillip studied at the University of Wollongong and later refined his visual language at UNSW. He is a 2024 graduate of AWARD School.

Based in Sydney, he works within VANDAL‘s creative team, contributing across conceptual development, design, and technical production. His practice moves fluidly between gallery spaces and commercial environments with a focus on atmosphere and the textures that sit just beneath the surface.


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©PHILLIPAM2025

Phillip Arthur Muzzall

b. 1997 | Shoalhaven, Australia

AWARD School Sydney, 2024

University of New South Wales, 2022 - 2023
Graduate Certificate in Design

University of Wollongong, 2016 - 2019
Bachelor of Communication and Media Studies (Digital Media & Communication)
Commissions
2023 - ‘RUSH (Blush)’ single - Willo, Visualiser (Future Classic Records)
2022 - ‘Desensitised’ single - Miramar, Spotify Canvas animation
2022 - ‘Don’t Fade’ single - Vance Joy, Lyric video collaboration (Atlantic Records & Unified Music Group)
2021 - ‘Go Back Inside’ - TG Kommas, Lyric video collaboration (Atlantic Records)
2021 - ‘Not Good For Me’ single - Miramar artwork & socials
2021 - ‘Hold Me Back’ single - Sampson, Spotify Canvas & social animation
2021  - ‘Smoke Machine’ single - Miramar, Visualiser
2020 - ‘Nothing Good Will Come of This’ EP - Flawed Mangoes, Album Art & Short Film (VFX) collaboration (Majestic Casual Records)
2020 - ‘Closer’ - Sampson, Lyric/Music Video
2019 - Gatorbeug - Photographic social media content for Instagram & YouTube (VICE) 
2017 - REDDS cup / beinthecut | SETTINGS x Virgil Abloh - Photographic
2017 - Easy Life band - Photographic

Exhibitions and Public Pieces
2025 - ‘AND IF IT ALL FALLS APART, WHAT THEN?’ - Finalist in Northern Beaches Environmental Art Prize, Exhibited @ Manly Art Gallery and Museum (Group)
2023 - ‘HUMAN DISTORTION v2’ @ The Loop - Hobart Current, Hobart CBD (Group)
2020 - 'better out than in' AR & Post-Photographic exhibition @ Verb Syndicate, Wollongong (Solo)
2019 - Photographs & Feature in Pulp Zine Issue 1 w/ prints presented at 2019's Yours & Owls Festival 'The Local' stall
2018 - 'In Motion v2' Interactive Installation - exhibited at Pretty Good Gallery 'Gongcrete Christmas' (Group)
2018 - 'In Motion v2' Interactive Installation - exhibited at Strawberry Visions' 'Strawberry Boogie's 3rd Birthday Ball' (Group)
2018 - 'In Motion v2' Interactive Installation - exhibited at the University of Wollongong, UniLife's 'Live Art Week' (Group)
2017 - 'In Motion' Interactive Installation & Interactive Zine release
2016 - 'Daydreaming Vignette' - used in; Wade, S., & Kidd, C. (in prep). ‘The Less You Know: Larger gaps in knowledge induce greater curiosity in human learners’. "Multimedia stimuli in Curiosity Study" for the University of Rochester's Baby Lab in the department of Brain & Cognitive Sciences.
2016 - 'Deviated Section' - finalist (Highly commended and Screened) - ‘Lightup Jervis Bay’ seechange short film prize (Group)
2015 - 'Deviated Section' - exhibited in 'BOW WOW' at the Shoalhaven City Arts Centre & Regional Gallery (Group)
2014 - 'Contrast' & 'Caodaism' - finalist of two and exhibited for 'The Pixel Prize' at the Australian Catholic University, McGlade Gallery, Sydney (Group)
Press and Features
Quadrascopic Cameras: The Failed Third Wave of Photography - Gobe
1 HR IN: Kiama with, Phillip Muzzall - Verb Syndicate
Quadrascopic cameras, 3D renders and QR codes: the bizarre techniques of photographer Phillip Muzzall - Happy Mag

Physical Releases
PAM-002 - ‘doors at 8’ - 2023
Pulp Zine Issue 1 - 2019
BKMR-002 - Frank Zimmer - & the Boys Next Door EP - Cover photograph w/ B2B postcard print - 2019
PAM-001 - 'In Motion' - 2018
3 Spreads in 1st Issue of 'POLYCHROME' Magazine - 2017